MUSIC, PHILOSOPHY, AND MODERNITY

wittgenstein and heidegger 265 Wittgenstein, the question of whether Wittgenstein changed his philo- sophical stance as radicall ...

266 music, philosophy, and modernity in an imaginative activity of articulating the structure of the illusion of an external sta ...

wittgenstein and heidegger 267 Art, though, plays no role in the new reading of theTractatus, and this is puzzling, given theTra ...

268 music, philosophy, and modernity What is surprising about the austere reading is that, on the one hand, it constitutes a rej ...

wittgenstein and heidegger 269 to an ideal’, where there need be nothing in common between the kinds of ideal in differing pract ...

270 music, philosophy, and modernity Heidegger’s sense (see below), because it is in this respect an entity like any other. How ...

wittgenstein and heidegger 271 1984 : 145 ). In a less obviously metaphysical vein, he says, coming closer to Heidegger: ‘The ar ...

272 music, philosophy, and modernity propositions which can be true or false. If there is to be ‘a priori’ an ‘order in the worl ...

wittgenstein and heidegger 273 cannot be expressed in empirical propositions: they are the forms of relationship in which things ...

274 music, philosophy, and modernity to Heidegger in the later work, but the move is not just from a more logic-based to a more ...

wittgenstein and heidegger 275 as it is in written and mechanically recorded verbal language: the use of computers in the manipu ...

276 music, philosophy, and modernity ‘Unsinnig’ relates to ‘Unsinn’, ‘non-/un-sense’, so the translation might be that they are ...

wittgenstein and heidegger 277 a bit more closely. The link between musical themes and propositions is seen in terms of the poss ...

278 music, philosophy, and modernity between the unconditionality of the tautology and the self-sufficiency of a melody which ha ...

wittgenstein and heidegger 279 sense, even in early Wittgenstein, that music tells us something about our relationship to the wo ...

280 music, philosophy, and modernity new approach is that ‘A language I do not understand is not a lan- guage’ (ibid.: 106 ), be ...

wittgenstein and heidegger 281 that Schleiermacher regarded as the essential problem in accounting for primary language acquisit ...

282 music, philosophy, and modernity transformed ‘into a significant one’ (Schelling 1 / 5 , 493 ), and the same applies to the ...

wittgenstein and heidegger 283 as pointing, Wittgenstein writes: ‘Could one also reply: “I meant some- thing by this movement, w ...

284 music, philosophy, and modernity suggested, generally the same, public, words as everybody uses, so it is the unique form of ...