MUSIC, PHILOSOPHY, AND MODERNITY
pro and contra wagner 245 traumatic tangle of intrigue and deceit. This verbal judgement does not mean that the last part of the ...
246 music, philosophy, and modernity This possibility was implicit in the discussion above of the temporality of musical leitmot ...
pro and contra wagner 247 Germans – they called themselves theyoungGermans – like the word of redemption. Has hechanged his mind ...
248 music, philosophy, and modernity self-contradictions. He notoriously admitted in a letter to Carl Fuchs in 1888 that his sta ...
pro and contra wagner 249 Nietzsche himself offers ways of coming to terms with his contradic- tions, and these will prove to be ...
250 music, philosophy, and modernity philosophical Gustav Mahler, who constantly challenges us to judge how seriously each eleme ...
pro and contra wagner 251 In another passage Nietzsche gets close to something interesting, but then just slips into a metaphysi ...
252 music, philosophy, and modernity representationalist premises about the functioning of language, which deny ‘extra-musical’ ...
pro and contra wagner 253 ideology: one can ‘feela thought asmore trueif it has a metrical form’ (ibid.: 95 ), a view which give ...
254 music, philosophy, and modernity last movement of Beethoven’s Ninth in which the idea of immortality is evoked in relation t ...
pro and contra wagner 255 Once again what he says is not based on a consideration of the music itself, but rather on a particula ...
256 music, philosophy, and modernity Christian tradition and the Enlightenment that Nietzsche is concerned to attack. The proble ...
pro and contra wagner 257 therefore take one beyond the need simply to accept or reject Niet- zsche’s polemical conclusion. The ...
258 music, philosophy, and modernity secularised transcendence be turned into a version of Schopenhauerian metaphysics, rather t ...
pro and contra wagner 259 music in modernity continually tries to expand its expressive range. Like Wagner’s work, much of the m ...
260 music, philosophy, and modernity one denies this possibility, might not the unattainable standard against which musical cons ...
8 Music, language, and being: Wittgenstein and Heidegger Explicit and implicit music The fact that it took until the work of Kar ...
262 music, philosophy, and modernity Analytical approaches to Wittgenstein hardly ever discuss music as an issue in his philosop ...
wittgenstein and heidegger 263 philosophy. Here, then, are just four examples – there are very many more – which should inform a ...
264 music, philosophy, and modernity what can and cannot meaningfully be said. In the passage involving Beethoven the very fact ...
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