MUSIC, PHILOSOPHY, AND MODERNITY
music and romanticism 165 linguistic turn. Echoing Schleiermacher, Dieter Henrich has claimed that ‘language can only be underst ...
6 Music, freedom, and the critique of metaphysics Music, philosophy, and politics Evaluations of the nature and significance of ...
music, freedom, and metaphysics 167 are just one interpretation of the real content of his works, and by no means always the bes ...
168 music, philosophy, and modernity formerly occupied by Feuerbach and other thinkers on the political Left. Some of Feuerbach’ ...
music, freedom, and metaphysics 169 mythology (for example in the conclusion ofDie Meistersinger).^3 The decline of Hegelianism ...
170 music, philosophy, and modernity itself also changes. Music need no longer be regarded, in the manner of Hegel, as something ...
music, freedom, and metaphysics 171 show towards the end of the chapter, one way of exploring these issues is to contrast Schope ...
172 music, philosophy, and modernity existing normative constraints. How, then, is freedom in this latter sense to be understood ...
music, freedom, and metaphysics 173 moral philosophy. The will in Kant is not subject to a causality external to itself, and so, ...
174 music, philosophy, and modernity ideas might make, albeit very contentious, sense.^5 These texts reject the idea of evil bei ...
music, freedom, and metaphysics 175 The idea of this groundless contingency relates to an influential way in which music comes t ...
176 music, philosophy, and modernity and development, and neither has its future development inscribed within it. What makes the ...
music, freedom, and metaphysics 177 madness?’ (Schelling, 1856 – 61 :i/ 8 , 338 ). Dionysus’ wagon, which is pulled by wild anim ...
178 music, philosophy, and modernity is still temporal, as the Romantic idea of longing suggested. Adorno talks, echoing ideas t ...
music, freedom, and metaphysics 179 eternally in the ground. Understanding is really born from what is devoid of understanding. ...
180 music, philosophy, and modernity If human freedom to do good or evil (evil being construed as know- ing what is right and wi ...
music, freedom, and metaphysics 181 is also an intentional phenomenon. It cannot, moreover, be properly grasped without taking i ...
182 music, philosophy, and modernity the boundaries between merely mechanical order and mere incoher- ence depend on the shiftin ...
music, freedom, and metaphysics 183 one explains important aspects of historical changes in the production and understanding of ...
184 music, philosophy, and modernity a grain of truth, as new music’s reception by the Nazis suggests. The very fact that music ...
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