MUSIC, PHILOSOPHY, AND MODERNITY
pro and contra wagner 225 between his earlier and later theoretical positions poses some revealing questions about philosophy’s ...
226 music, philosophy, and modernity becomes more central to music in the wake of Wagner. In the third movement of his Ninth Sym ...
pro and contra wagner 227 Schleiermacher remarked that it might seem that adding music to a text would ‘express the thought even ...
228 music, philosophy, and modernity which he adopts Schopenhauerian ideas, i.e.Tristan,Meistersinger, the Ring, andParsifal,ase ...
pro and contra wagner 229 for Social Research which set themselves the task of not remaining in fruitless indignation in relatio ...
230 music, philosophy, and modernity unperturbed, realist and classicist art its decisive truth in that mythical moment: that in ...
pro and contra wagner 231 that the music ‘renounces that deepest critique which inhabited it since the invention of the operatic ...
232 music, philosophy, and modernity variation”, is the completely anti-mythological principle’ (ibid.). This debatable idea wil ...
pro and contra wagner 233 arbitrarily mean something else. This possibility passes a devastating but just judgement on the profa ...
234 music, philosophy, and modernity of reaction of the sense organs presupposes not just the absence of a binding style, but ev ...
pro and contra wagner 235 it, one side of Adorno’s position becomes questionable. Quite simply, language often does function ‘al ...
236 music, philosophy, and modernity to a judgement of this nature, but its meanings are not therefore merely arbitrary. Adorno’ ...
pro and contra wagner 237 this separation is questionable: why can a motif not do something simi- lar to a chord? InTristan, the ...
238 music, philosophy, and modernity ongoing negotiation in which new norms may become relevant which render existing norms defi ...
pro and contra wagner 239 is conceived, which leads us back to the music/philosophy relation- ship. Adorno regards Wagner’s rela ...
240 music, philosophy, and modernity of the technical contradictions which have to be mastered in each case, rather than express ...
pro and contra wagner 241 so much more than the manifest content of the plot and characters would seem to allow. He succeeds in ...
242 music, philosophy, and modernity varying degrees of illumination of the works. Does one, though, have to adhere to the under ...
pro and contra wagner 243 The point of his appearance here, however, is to show how the con- tradictions arising from the entang ...
244 music, philosophy, and modernity [of 1852 ] which announce a “realm of freedom” that emerges from the demise of a world of “ ...
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