MUSIC, PHILOSOPHY, AND MODERNITY
music, freedom, and metaphysics 185 world that is objectively manifested via the music, rather than being located inside the sub ...
186 music, philosophy, and modernity characters are presented as both responsible for their actions and yet as at the mercy of i ...
music, freedom, and metaphysics 187 in relation to the theme of the exclusion by the humanly constituted city of what is other t ...
188 music, philosophy, and modernity philosophy was to seek a timeless account of the nature of things. Time can be related to t ...
music, freedom, and metaphysics 189 towards a redemptive culmination that is meant to bind together the increasingly diverse pat ...
190 music, philosophy, and modernity fact that the whole will always produce anew from what is destroyed. Obviously this is not ...
music, freedom, and metaphysics 191 the future that will not be fulfilled. Transience is therefore not seen as negation, but as ...
192 music, philosophy, and modernity before Goethe, or Beethoven, or Shakespeare, or Raphael: and sud- denly we feel our best th ...
music, freedom, and metaphysics 193 of music’ (ibid.: 2 , 1112 ), and he claims that ‘when I described Dionysian music I describ ...
194 music, philosophy, and modernity Schopenhauer: music and the illusion of freedom Nietzsche characteristically maintains inEc ...
music, freedom, and metaphysics 195 by the principle of sufficient reason, art has always already reached its goal because it pr ...
196 music, philosophy, and modernity the nameless pain, the misery of humankind, the triumph of evil, the mocking domination of ...
music, freedom, and metaphysics 197 Music is therefore ‘immediately an image of the Will itself and so is the metaphysical to ev ...
198 music, philosophy, and modernity the problem of how we can understand the form without any of the content). At the same time ...
music, freedom, and metaphysics 199 with the ways in which music in modernity responds to a world where traditional certainties ...
200 music, philosophy, and modernity depends on the metaphysics that backs it up. What, though, could validate that metaphysics, ...
music, freedom, and metaphysics 201 affecting artists, writers, and thinkers of many kinds, but particularly musicians, from Wag ...
202 music, philosophy, and modernity is spread over the whole of nature, the deep, indestructible melancholy of all life’ (Schel ...
music, freedom, and metaphysics 203 arguments, and reading them is not always best thought of in terms of establishing ‘what the ...
204 music, philosophy, and modernity ‘the most abstract one can think of, namely that ofsensuous geniality’ (ibid.: 59 ). This i ...
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