MUSIC, PHILOSOPHY, AND MODERNITY

conclusion 385 My idea here is that Rorty should, as Wittgenstein does, extend the scope of what is intelligible in the directio ...

386 music, philosophy, and modernity terms, and these connections will be regarded differently, depending on how linguistic repr ...

conclusion 387 it has to be enacted, performed, ‘given’, for it to be what it is, hence its frequent connection to music in both ...

388 music, philosophy, and modernity way round: music, both vocal and instrumental, was understood as an expression of affect ev ...

conclusion 389 he makes concerning performatives drive home what he really thinks is missing in Austin. The logical point emerge ...

390 music, philosophy, and modernity the issue of perlocution apparent.^13 Unlike illocutionary effects, per- locutionary effect ...

conclusion 391 indescribable in human language or unknowable by human minds’ cannot be made coherent. Rather than this something ...

392 music, philosophy, and modernity expression – readable in every sound and gesture – their every word and act apt to betray t ...

conclusion 393 an ‘Adagioindicates distress, aLamentolamentation, aLentorelief, an Andantehope, anAffetuosolove, anAllegrocomfor ...

394 music, philosophy, and modernity military musical tropes is illuminating for the topic of music, modernity, and performativi ...

conclusion 395 the actual relationship to a subject’ (Dahlhaus 1988 : 331 ). That ‘actual relationship’ involves contingency of ...

396 music, philosophy, and modernity language and music. This interplay is constituted in different ways in different historical ...

conclusion 397 and others, such as some of the West Coast jazz of the fifties and sixties where a greater proximity to ‘legitima ...

398 music, philosophy, and modernity Kramer maintains that ‘It is scarcely a secret that the extraordinary value ascribed to mus ...

conclusion 399 consequences of the death of God. This might sound rather melodra- matic, but I don’t think that it necessarily i ...

400 music, philosophy, and modernity A number of interpretations of the state of music in the contempo- rary world can be seen a ...

conclusion 401 educated people to have things to say about the other arts, but they will have little or nothing to say about ser ...

402 music, philosophy, and modernity impoverished as a consequence of this lack of contact seems to me incontrovertible. The sit ...

conclusion 403 ways in which sense is made in human societies. Such ways of making sense do not have to be discursive: one raiso ...

404 music, philosophy, and modernity It is worth looking here at a slightly different version of a question that I asked in the ...