MUSIC, PHILOSOPHY, AND MODERNITY

adorno 365 impossibility of forgetting what is felt to be lost.^30 What provokes the rage is therefore often decried as sentimen ...

366 music, philosophy, and modernity already being the case. This extreme position relies on the totalising argument about the d ...

adorno 367 order of art just from thewillto such an order, without this order being substantially present to us any more in the ...

368 music, philosophy, and modernity aesthetically alive, as it clearly is for Adorno too. This hope indicates an ambivalence in ...

adorno 369 The key to the issue of music and philosophy here is indicated in the following passage: ‘Mahler’s music anxiously pr ...

370 music, philosophy, and modernity itself lacks the hope which the stars once promised. It is submerged in empty galaxies. On ...

adorno 371 This pleasure, which is a complex aesthetic pleasure, raises a vital ques- tion for Adorno’s philosophical understand ...

372 music, philosophy, and modernity the great musical classics while the victims died in unspeakable agony a few miles away. Ho ...

adorno 373 the regulative idea of truth, cannot be attained: ‘Identity of essence and appearance is as little achievable for art ...

374 music, philosophy, and modernity ‘Schein’ described above cannot be overcome by establishing a philo- sophical standpoint wh ...

adorno 375 ofDoE. However, his best engagements with the entanglement of music and philosophy reveal how each can become a form ...

Conclusion Cheesecake, or metaphysics? After Adorno’s sombre analyses of the place of music in moder- nity, in which pleasure is ...

conclusion 377 cannot be assimilated to each other because the second makes no sense if one does not take intentionality into ac ...

378 music, philosophy, and modernity to explain. The connection between the scientistic position and the way in which analytical ...

conclusion 379 specifically ‘aesthetic’ questions, concerning ‘expression’, the ‘work of art’, etc., which constitute their own ...

380 music, philosophy, and modernity seems problematic, or that music has to be primarily construed as a philosophical mystery. ...

conclusion 381 others, and one that does not automatically trump all other needs’ (ibid.: 37 ). Religion and science can both, i ...

382 music, philosophy, and modernity Intellectuals cannot live without pathos...Ifyoudonotlike the term ‘pathos’, the word ‘roma ...

conclusion 383 need to buy into his position as a whole to be aware that his focus on how philosophy informs the rest of culture ...

384 music, philosophy, and modernity Aesthetics, language, and music If Rorty is serious about the aestheticisation of philosoph ...