MUSIC, PHILOSOPHY, AND MODERNITY

conclusion 405 important philosophical implications. Barenboim’s and Edward Said’s project of an orchestra in which musicians fr ...

406 music, philosophy, and modernity by explicit ideas, and is in fact the horizon within which explicit ideas, which articulate ...

conclusion 407 Jean-Fran ̧cois Lyotard’sLe diff ́erend, perhaps the most characteris- tic philosophical text in this area, has t ...

408 music, philosophy, and modernity be resolved and what is irreconcilable... I think it’s useful, at times, to think of the ae ...

conclusion 409 of reconciliation, or whether it can offer a kind of reconciliation which does not conjure away real problems. Ba ...

410 music, philosophy, and modernity discursive. The spontaneous reaction of the recipients is mimesis towards the immediacy of ...

conclusion 411 there are also grounds for considering other ways in which we may respond to it, which do not involve either taki ...

412 music, philosophy, and modernity is, therefore, inescapable, but that brings its own problems, because the historical explan ...

conclusion 413 role in this predominantly epistemological theory. This means that the theory can still threaten to revive the ti ...

414 music, philosophy, and modernity of the Hegelian position, but we would then be faced again with the problem that reflexivit ...

conclusion 415 Frank says of Heidegger’s related notion of ‘Befindlichkeit’, which has to do with how one ‘finds oneself’, in th ...

416 music, philosophy, and modernity than the merely theoretical side of those to whom it speaks. Whatever doubts one may have a ...

conclusion 417 when I sayhinenithere is no “said”’ (ibid.: 38 – 9 ). What I am in such presentation is an openness to the other, ...

References Adorno, T. W. ( 1993 )Beethoven: Philosophie der Musik(Frankfurt: Suhrkamp) ( 1996 )Probleme der Moralphilosophie(Fra ...

references 419 ( 1993 )Schelling and Modern European Philosophy(London: Routledge) ( 1997 )From Romanticism to Critical Theory. ...

42 0references Critchley, Simon and Bernasconi, Robert ( 2002 )The Cambridge Companion to Levinas(Cambridge: Cambridge Universit ...

references 421 Goehr, Lydia ( 1994 )The Imaginary Museum of Musical Works(Oxford: Oxford University Press) ( 1998 )The Quest for ...

42 2references Kivy, Peter ( 1993 )The Fine Art of Repetition(Cambridge: Cambridge University Press) ( 1997 )Philosophies of Art ...

references 423 Ridley, Aaron ( 1995 )Music, Value and the Passions(Ithaca: Cornell University Press) ( 2004 )The Philosophy of M ...

42 4references Schleiermacher, F. D. E. (n.d.)Uber die Religion. Reden an die Gebildeten unter ihren ̈ Ver ̈achtern(Berlin: Deut ...