The Forms of Hebrew Poetry
VARIETIES OF RHYTHM 161 a markedly different effect 1 which it is well to render as manifest as possible. If, at least where par ...
162 FORMS OF HEBREW POETRY of two words than between the next two sets, at the end of the first of these four lines than in the ...
VARIETIES OF RHYTHM 163 Which is the best way to divide the Hebrew text, or even an English. translation, though this at least s ...
164 FORMS OF HEBREW POETRY to be observed generally that the well-defined caesura which regularly occurs in four-stress periods ...
VARIETIES OF RHYTHM 165 rhymes instead of one so that they rhyme alter- nately, and the form of the typical short metre of our h ...
166 FORMS OF HEBREW POETRY times it makes some difference whether we treat the passage as in the one form or the other; the main ...
VARIETIES OF RHYTHM 167 The latter part of verse 3 (2) of the same Psalm offers, if the text is correct, an example of a tristic ...
168 FORMS OF HEBREW POETRY The importance of this expansion of 2 : 2 into 4 : 4 or 6 : 6, as the case may be, will appear later. ...
VARIETIES OF RHYTHM 169 owing to its less fullness, but also owing to this general absence of caesura, which is almost constantl ...
170 FORMS OF HEBREW POETRY character to a tristich of two-stress lines (2 : 2 : 2), i.e. to a balancing rhythm; and in the same ...
VARIETIES OF RHYTHM 171 being exactly and completely parallel to the latter half of the longer line, there is a sense echo, whic ...
172 FORMS OF HEBREW POETRY and one only of the two pairs of words that constitute the first line. Here again the caesura in the ...
VARIETIES OF RHYTHM 173 Sievers himself regarded this rhythm as rare, though in an appendix he briefly stated, what he has since ...
174 FORMS OF HEBREW POETRY I remarked: "The lines throughout the poem are of equal or approximately equal length, the normal len ...
VARIETIES OF RHYTHM 175 alteration of the poem that is the real reason why the poem contains both trimeter and tetrameter lines. ...
176 FORMS OF HEBREW POETRY qdcb lbt Fpwy xvhv^1 Myrwymb Mymxl Nydy And 'tis He^1 will judge the world in righteousness, He will ...
VARIETIES OF RHYTHM 177 The position of the caesura in the first line here is unmistakable and equally unmistakable is the great ...
178 FORMS OF HEBREW POETRY Lam. iii. 27 is clearly a five-stress period, and seems most naturally read as 2 : 3; and so with ii. ...
VARIETIES OF RHYTHM 179 which may be translated thus, so as to preserve the order of the Hebrew clauses-- Behold, they shall be ...
180 FORMS OF HEBREW POETRY probable that they were treated by the writer as detached amplifications of the subject implicit in t ...
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