Opera

composer. The Viennese French theater influenced Gluck in general and the reform operas in particular. Brown discusses the Vienn ...

Dahlhaus, Carl. “Ethos and Pathos in Gluck’s Iphigenie auf Tauris.” Musik- forschung27 (1974): 289–300. An imaginative perspect ...

Robinson, Michael. “The 1774 S. Carlo Version of Orfeo.” In Gluck e la cul- tura(#885), 395–413. A good account of the producti ...

Vetro, Gaspare Nello. António Carlos Gomes: “Il guarany.”Parma: Tecno- grafica, 1996. 155p. ML410 .G63 A34. Reception history, ...

André Ernest Modeste Grétry (1741–1813) La rosière de Salencyis in FO,v.61, and Richard Coeur de Lionis in FO,v.62. Jobe, Rober ...

Capelle, Irmlind. “Les méprises par ressemblance von Grétry und Lortzings Die beiden Schutzen.” In “Opéra-comique” und ihr Einf ...

exigencies. Their opera assigns distinct music to different personages. Guglielmi did not have Gluck’s score. Wolff, Hellmuth C ...

George Frideric Handel (1685–1759) His name is now usually written this way in English-speaking countries; it is the form that h ...

rather than to the music. All 112 known watermarks are shown and traced. More than 8,700 folios survive, most of them in the Bri ...

Collections of Essays 950.Handel, Tercentenary Collection. Ed. Stanley Sadie and Anthony Hicks. Stud- ies in Musicology, 99. Ann ...

1979–1983; v.2 (1986), covering 1984–1985; v.3 (1989), covering 1986– 1987; v.4 (1991), covering 1988–1990; v.5 (1993), covering ...

Operas in General Dean, Winton, and J. Merrill Knapp. Handel’s Operas, 1704–1726.New York: Oxford U.P., 1987. V.1: xx, 751p. IS ...

Eisenschmidt, Joachim.Die szenische Darstellung der Opern Händels auf der Londoner Bühne seiner Zeit.Berlin: Kallmeyer, 1940. 2 ...

mances of a work differed as singers introduced new variations and scenes were changed to hold the interest of the audience. A n ...

research, summarized by Roberts, has disclosed much more borrowing than had been known in the years before the stroke. Other the ...

The two works, which were among the first five London operas, were “com- parative failures.” Only a few of the arias were publis ...

Muzio Scevola Rossi, Nick. “Handel’s Muzio Scevola.” OQ3-3 (Autumn 1985): 17–38. Paolo Rolli’s libretto was used by Filippo Ama ...

Premiering on 24 February 1711, Rinaldowas Handel’s first London opera. The influence of The British Enchanters(a “semi-opera” w ...

Sosarme Dean, Winton. “Handel’s Sosarme: A Puzzle Opera.” In Essays on Opera (#72), 115–147. Reprint, GL,v.11. Handel’s operas ...

A journal issue devoted to 19 papers from a colloquium in Siena, 1983. Nine of the contributions relate to opera. These are the ...