Opera

Musical relationships “constitute a thread of allegorical meaning” linking the two scenes of doubtful authorship (as per Curtis, ...

Donington is an advocate of Jungian analysis, and he applies the approach to characters and situations in the opera. He also des ...

the weakness of the flesh, is in effect set against the moral strength, the chaste love, of Penelope.” The opera is compared to ...

(#1269). An inventory of 19 earlier collected editions is in Hastings (#1259), 29–30. 1256.The Librettos of Mozart’s Operas. Ed. ...

See also RISMA, 1, supplement (#11), which is an inventory of Mozart works pub- lished before 1800. Freitag, Wolfgang. Amadeus ...

Collections of Essays 1268.Wolfgang Amadè Mozart: Essays.Ed. Stanley Sadie. New York: Oxford U.P., xvii, 512p. ISBN 0-19-816443 ...

Eisen, Cliff. New Mozart Documents: A Supplement to O. E. Deutsch’s Docu- mentary Biography.Stanford, Calif.: Stanford U. Press ...

music in Die Zauberflöte(#1336) and onDie Entführung aus dem Serail (#1314). The volume also has genesis studies of Idomeneo, Le ...

Nagel, Ivan. Autonomy and Mercy: Reflections on Mozart’s Operas. Trans. Marion Faber and Ivan Nagel. Cambridge, Mass.: Harvard ...

An interesting attempt to apply semiotic critical method to the operatic genre. Noske finds the “musical figure of death,” “iron ...

Osthoff, Wolfgang. “Mozarts Cavatinen in ihre Tradition.” In Helmuth Osthoff zu seinem 70. Geburtstag,139–177 (Tutzing: Schneid ...

Heartz, Daniel. “Mozart and His Italian Contemporaries: La clemenza di Tito.” Mozart Jahrbuch21 (1978–1979): 275–293. Examines ...

Levarie. Glasow finds them to have been “often specifically gender related.” Feminine codes were the “fluttery, upbeat (female) ...

dividers, wondering, for example, where the exposition ends. Ultimately, the dramatic conception of the opera lies in the unific ...

express Don Juan, since music has “the epic quality that can go on as long as it will, since one can constantly let it begin aga ...

Hirschberg, Jehoash. “Formal and Dramatic Aspects of Sonata Form in Mozart’s Idomeneo.” MR38 (1977): 192–210. An analysis of th ...

changes that Mozart himself was induced to make in it, can come from a care- ful study and comparison of the many Abschriften.” ...

Allanbrook, Wye Jamison. “Pro Marcellina: The Shape of Figaro,Act IV.” M&L63 (1982): 69–82. Disapproves of the customary cu ...

Eckelmeyer, Judith A. “Structure as a Hermeneutic Guide to The Magic Flute.” MQ72-1 (Spring 1986): 51–73. Considers key progess ...

Considers various interpretations of the libretto, such as Chailley’s, and finds that most overlook the music. So Bauman intends ...