MUSIC, PHILOSOPHY, AND MODERNITY
music and romanticism 145 a function that compensates for deficits in social life, at the risk of reconciling people to unjust c ...
146 music, philosophy, and modernity terms, rather than primarily as a means of representation. As he puts it in a famous passag ...
music and romanticism 147 like the rest of objective nature, but, also like objective nature, language is part of us in ways tha ...
148 music, philosophy, and modernity affect. Ritter relies on a mythical idea of ‘music’ as the origin and ground of all languag ...
music and romanticism 149 train of ideas, any individual philosophical idea’ (Novalis 1978 : 554 ). Elsewhere he claims that a l ...
150 music, philosophy, and modernity connect to philosophical, social, and historical issues, as well as estab- lishing new kind ...
music and romanticism 151 variety through rhythm. We cannot tolerate uniformity for very long in everything that is in itself wi ...
152 music, philosophy, and modernity multiplicity...From this the close relationship of hearing in general, and of music and spe ...
music and romanticism 153 to do with self-consciousness, which are important for his very particu- lar conception of religion, t ...
154 music, philosophy, and modernity says of music: ‘If a theme, a phrase, suddenly means something to you, you don’t have to be ...
music and romanticism 155 What he means by the absolute feeling of dependence is notoriously contentious. The core notion of ‘de ...
156 music, philosophy, and modernity to an identity of thoughts with the objects of our thinking.^6 Schleier- macher makes this ...
music and romanticism 157 The notion of immediate self-consciousness is the basis of Schleier- macher’s attempt to address issue ...
158 music, philosophy, and modernity is distinguished from mere bodily behaviour by the measurement of movement present in rhyth ...
music and romanticism 159 connected to other human activity by a ‘great mass of productions which come between’ (ibid.: 371 ) im ...
160 music, philosophy, and modernity is undoubted, but cannot be resolved into thoughts. This is the mystery which undeniably li ...
music and romanticism 161 nothing but the external representation of the infinity of relationships in self-consciousness, but no ...
162 music, philosophy, and modernity lives consist of constant transitions between determinate thoughts and other states, which ...
music and romanticism 163 forms in which it is manifested did not function in some respects like language and convey intersubjec ...
164 music, philosophy, and modernity being-affected’ (Schleiermacher 1931 : 52 ). Mood – the German word is connected to musical ...
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