MUSIC, PHILOSOPHY, AND MODERNITY
form, feeling, metaphysics, and music 25 objective aspect is only made objective by reflection. In the life-world we don’t start ...
26 music, philosophy, and modernity articulate them for their determinacy. Think of Wittgenstein’s discus- sion of gestures as a ...
form, feeling, metaphysics, and music 27 is excluded by Kivy’s argument. The mixture of elation and sadness evoked by music can ...
28 music, philosophy, and modernity In seeking to establish a philosophical theory in the manner he does, Kivy gives too little ...
form, feeling, metaphysics, and music 29 turbulence in the music and culture of his era helps to give Beethoven’s music its spec ...
30 music, philosophy, and modernity to understanding based on the pleasures of new kinds of anticipation, delay, and fulfilment, ...
form, feeling, metaphysics, and music 31 than the much more plausible idea that they should be effective in achieving our aims. ...
32 music, philosophy, and modernity practice, rather than as predominantly a means of representation. If one tries to isolate mu ...
form, feeling, metaphysics, and music 33 being seen as musical. The ability of mathematics to describe the move- ment of the hea ...
34 music, philosophy, and modernity However, plausible as some aspects of this story are – I shall con- sider Heidegger and musi ...
form, feeling, metaphysics, and music 35 world which we do not control. In the case of truth the temptation to self-deception is ...
36 music, philosophy, and modernity of metaphysics 1. Merleau-Ponty describes the scientistic illusion which would explain inten ...
form, feeling, metaphysics, and music 37 ‘Language never begins to form itself through science, but via gen- eral communication/ ...
38 music, philosophy, and modernity music in contexts where the supposed original occasion for the practice is absent. Objection ...
form, feeling, metaphysics, and music 39 by a form of articulation like music cannot be reduced to being part of how we deal wit ...
40 music, philosophy, and modernity can, like natural languages (and often with much less effort), be com- prehended by those ou ...
form, feeling, metaphysics, and music 41 some kind of ‘mysticism’, a positive appeal to something ‘unsayable’. The question is, ...
42 music, philosophy, and modernity of what he thinks philosophy can say, Wittgenstein invokes music as a means of showing somet ...
form, feeling, metaphysics, and music 43 Music is essentially particular and yet is also connected to general ideas and emotions ...
44 music, philosophy, and modernity make life meaningful by responding to the fact that the world exists at all as something int ...
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