MUSIC, PHILOSOPHY, AND MODERNITY
rhythm and romanticism 85 applied to particular aspects of nature by the understanding. This idea leads to a sense of how the un ...
86 music, philosophy, and modernity which ‘negate the negation’ which is unidirectional sequential time – that is, time where ea ...
rhythm and romanticism 87 the same kind of operations as those involved in conceptual thought, as well as relying on a shared fe ...
88 music, philosophy, and modernity something more in nature between full spontaneity and mere mecha- nism’ (ibid.: 111 ). It sh ...
rhythm and romanticism 89 description ‘determinations of timea priori according to rules’ could itself be a description of rhyth ...
90 music, philosophy, and modernity judgements to generate cognitions. Judgements of taste, in contrast, depend on a ‘feeling wh ...
rhythm and romanticism 91 relation to the notion of ‘feeling’. The key issue here is the understand- ing of the spontaneity whic ...
92 music, philosophy, and modernity feeling and the convictions ( 1 )that, because being always precedes our particular form of ...
rhythm and romanticism 93 of philosophical thinking is the desire to attain something which can never be present, but which yet ...
94 music, philosophy, and modernity August Wilhelm, he comments on the claim that ‘what one honoured with the name song and danc ...
rhythm and romanticism 95 power of freedom is therefore as much a problem as it is the ground of new possibilities. Schlegel see ...
96 music, philosophy, and modernity the human race is the only means of fixing thoughts and dissemi- nating them’ (ibid.: 16 ). ...
rhythm and romanticism 97 schemata, and schemata are common to the intelligibility both of musi- cal structures and of forms of ...
98 music, philosophy, and modernity what one is seeking the origin of to describe its own origin, without it fail- ing to commun ...
rhythm and romanticism 99 thinking. Music’s relationship to feeling, its temporal nature, and its capacity to be meaningful with ...
100 music, philosophy, and modernity its relationship to feelings, and its resistance to philosophical explana- tion. This resis ...
rhythm and romanticism 101 music’ (Schlegel 1963 : 265 ). Schlegel’s perhaps most hyperbolic state- ment about music is the foll ...
102 music, philosophy, and modernity He connects this view of music and feeling to his notion of ‘Poesie’ [‘literature’, which h ...
rhythm and romanticism 103 Music is often seen as both conveying the feeling which engenders such philosophy, and yet enabling u ...
104 music, philosophy, and modernity that question underlies a major division in modern philosophy. The division can be illustra ...
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