MUSIC, PHILOSOPHY, AND MODERNITY
hegel, philosophy, and music 125 secularisation and the rise of modern science can also be seen as related to the crisis of musi ...
126 music, philosophy, and modernity points to has no real purchase. At the same time, abstinence, in the name of musical formal ...
hegel, philosophy, and music 127 Wagner’s attempts to create one, there will be no modern equivalent of Greek tragedy’s groundin ...
128 music, philosophy, and modernity as an epistemological argument has other historical dimensions, and these point to more pro ...
hegel, philosophy, and music 129 is the main thing, but its reality still appears as immediate existence [e.g. in the objective ...
130 music, philosophy, and modernity intentional relations to the objective world, and are themselves in part dependent upon for ...
hegel, philosophy, and music 131 (ibid.). Note how Brandom’s interpretation of the move from immedi- acy and mediation to mediat ...
132 music, philosophy, and modernity fulfilment that results ‘is of its nature external, spatial and thus always distinguished f ...
hegel, philosophy, and music 133 accompanies, plus whatever feelings constitute its necessarily indeter- minate ‘content’. The k ...
134 music, philosophy, and modernity of the differing forms of articulation in modernity. Here the question of nihilism again co ...
hegel, philosophy, and music 135 left to the specific sciences to get on with the job of revealing the nature of things.^10 This ...
136 music, philosophy, and modernity importance of modern music’s becoming an independent expression of human freedom. The fact ...
hegel, philosophy, and music 137 underestimation of music at a time when music itself, as Kramer puts it, ‘help[s] produce the d ...
5 Music and the subjects of Romanticism The task of philosophy In early German Romantic philosophy communication and under- stan ...
music and romanticism 139 we saw in thelast chapter, contemporary interpreters of Hegel would contest his inclusion in this list ...
140 music, philosophy, and modernity the natural sciences. Modern philosophy’s role may consequently be better thought of in ter ...
music and romanticism 141 sufficient. The early Nietzsche and Wagner think that music might give the individual, private existen ...
142 music, philosophy, and modernity self-descriptions characteristic of contemporary genetics and artifi- cial intelligence, ha ...
music and romanticism 143 manner of his review of the Fifth Symphony, that ‘in the midst of this unlocked realm of spirits the d ...
144 music, philosophy, and modernity work Hegel is concerned with finding ways to replace the ‘substance’ of religion, as the po ...
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