MUSIC, PHILOSOPHY, AND MODERNITY
music, language, and origins 65 The note is supposed to be experienced without being related to other notes: ‘Ear as ear feels a ...
66 music, philosophy, and modernity because they have not gone through the development from immediacy to mediation which underli ...
music, language, and origins 67 articulation. The same loss of sensuous immediacy supposedly occurs, as we saw, in the history o ...
68 music, philosophy, and modernity He concentrates on one aspect of Herder’s account at the expense of other aspects of that ac ...
music, language, and origins 69 In moods ‘Daseinis brought before its being as here/there (da)’ (Hei- degger 1979 : 134 ). Moods ...
70 music, philosophy, and modernity Heidegger considers a poem by Stefan George, claiming that ‘The poem has no “content”’ (ibid ...
music, language, and origins 71 mediator between seeing and feeling, for example, ‘hehas an inkling... of the in-between and the ...
72 music, philosophy, and modernity makes something intelligible, but rather the perception’s becoming a signifier, which moves ...
music, language, and origins 73 namely of how the same intelligibility applies to the different senses, Heidegger claims that He ...
74 music, philosophy, and modernity idea of language losing something in the move to modernity, when he talks of the ‘language o ...
music, language, and origins 75 cannot understand these kinds of utterance in the way that we under- stand a philosophical or ot ...
76 music, philosophy, and modernity in that essay too music plays no significant role, despite the fact that it is closer to lan ...
music, language, and origins 77 precisely in terms of their rhetorical impact and as involving the ‘char- acteristic’ (ibid.: 99 ...
78 music, philosophy, and modernity constituting–rather than just representing – what they render intelli- gible. Forms of artic ...
3 Rhythm and Romanticism What Kant said about music, and what he could have said In Kant’s transcendental philosophy the realm o ...
80 music, philosophy, and modernity broader question of how the ‘external’ phenomenon of verbal language can articulate both the ...
rhythm and romanticism 81 Underlying these issues is the question of what it is to hear something as music. The blackbird that u ...
82 music, philosophy, and modernity identification, which is a necessary part of what generates significance, relate to music? T ...
rhythm and romanticism 83 series of issues that arise from that account in subsequent philosophy. The connection to Kant is cruc ...
84 music, philosophy, and modernity theCritique of Judgementrelates to some of what he says about cognition in theCritique of Pu ...
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