Dialect Poetry of Southern Italy (Italian Poetry in Translation Book 2)
(cont.d) Paròule frevute, ai labbre arašéte me tòrnene, fúeche de Sand’Andòneje. A ddàrele audènzeje ne ndròve rècchie p’accundà ...
(cont.d) Incandescent words, come back to my cracked lips, St. Anthony’s fire. As I listen to them, in shame, I can’t find ears ...
CAMPANIA In order to understand fully the reasons leading to Neapolitan poetry of the Twentieth century, one must read very care ...
the frequent digressions and subtlety of reasoning, but in the end one realizes that his theses are rooted not only in his invet ...
not prompted by patriotic fervor. Chiesa and Tesio write: “In the attempt to find a criterion to mark a point of departure for T ...
Twentieth Century”^4 Of course this thesis stems from precise and specific analysis, and the two authors choose, among other cri ...
Sgruttendio, Giambattista Velentino, Andrea Perrucci, Francesco Biondi, Nicolò Lombardo, Nicola Capasso, Nunziante Pagano, Sant’ ...
considered in all its scope. Plainly put, Di Giacomo is to the Twentieth Century as Porta is to the Nineteenth, and this takes n ...
Contini, Doria, Gatto, De Robertis, Galletti, Pancrazi, Montale, Pasolini, Luigi Russo, Serra, Serao, Vossler, Vinciguerra, Flor ...
overdoing it. It has been chorally written that he was able to untangle himself from the knotted skein of Verismo and was able t ...
no place in the songs of the farmers, of the street vendors, of the idlers and those who loiter in the streets, in the slums and ...
find a way of putting on a show. Di Giacomo, however, was also a journalist and careful student of events, of Neapolitan history ...
they showed something “photographic” (as did other works of his later on), it could not be regarded as a sort of “sin” other tha ...
whose style he admired. Perhaps it was also these studies on the Eighteenth Century, these exercises addressing authors of inter ...
Russo have become more numerous and the publication of his works (often ill-conceived and improvised) has created a new, revital ...
superficial psychological posture. But Russo’s world is not just tied to what has been described as his “Baroque surrealism,” bu ...
The crisis of Decadentism seems to leave no trace in Russo; it passes over him and he remains intact in his cocoon as it gathers ...
is irrefutable: Russo does not browbeat his reader by turning to “nostalgia,” even when it seems that he is willing to curl up i ...
however, interprets better than anyone the change, the continuity and the synthesis of what took place approximately in the Twen ...
almost all follow the line drawn by Di Giacomo, Russo and Viviani, some emphasizing melody, others rhythm, others recapturing ce ...
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